![]() If you want to read up more about this acquisition, you can get the information from Adobe's blog. At this point, it's usually wise to change your NLE to one that makes collaboration easier, so if they can get this way of collaborating to be part of the workflow in a way the teams are used to, it'll be hard to look at any other NLE for large productions. I personally hope Apple will also build a collaborative platform for Final Cut. ![]() The progress is naturally from single-person bands, progressing to teams, and then agencies. ![]() It seems as though Adobe is focusing on the editor who already uses Premiere and who's looking to grow. So, this doesn't put Premiere at the top, but in single-person productions, where one is looking to share and contribute to something bigger, this is surely going to be significant. The Competing NLEsĭa Vinci Resolve has built their editing software to incorporate cloud-based workflows, and AVID, the long-time NLE of choice for movie production teams, also has tools to collaborate efficiently. That’s why we at Adobe can’t wait to start working together with Frame.io. Adobe has already given us dynamic linking within Premiere Pro and After Effects, but this would almost be like dynamic linking between creatives, which is pushing the industry ahead. Both teams are composed, to a large degree, of artists and makers who want to solve problems that creative people face and make the act of creation more efficient and more fun. Being able to collaborate with colorists, editors, or VFX artists might even be included in your subscription, and getting client sign-off remotely, with the ability to comment on parts of the video on a per-second basis, is going to make us as video creators more efficient than ever. This means that if you're a Creative Cloud subscriber, it's going to be incredible.
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